I’m Still Here, directed by Walter Salles, is a 2024 Brazilian-French co-produced political biographical drama that delves deep into the personal and political upheavals during Brazil’s military dictatorship era. The film is an adaptation of Marcelo Rubens Paiva’s 2015 memoir, bringing to light the harrowing experiences of the Paiva family, particularly focusing on Eunice Paiva’s unwavering strength amidst adversity.
Plot Summary
Set against the backdrop of Brazil’s military dictatorship from 1964 to 1985, I’m Still Here chronicles the life of Eunice Paiva, portrayed by Fernanda Torres. The narrative begins in 1970 when her husband, Rubens Paiva (Selton Mello), a former congressman, returns to Rio de Janeiro after six years of self-exile following the 1964 coup d’état. The Paiva family, comprising Rubens, Eunice, and their five children, attempts to rebuild their lives in their idyllic home near Leblon beach.
However, their semblance of normalcy is shattered when a military raid leads to Rubens’ arrest and subsequent disappearance in January 1971. Eunice’s relentless pursuit of truth regarding her husband’s whereabouts results in her own arrest and torture. Their teenage daughter, Eliana, also faces brief imprisonment. The family’s ordeal underscores the oppressive environment of the time, highlighting the sacrifices made by those who dared to oppose the regime.
The film transitions to 1996, depicting Eunice’s receipt of Rubens’ official death certificate from the now-democratic Brazilian state. The narrative further progresses to 2014, showcasing an 85-year-old Eunice battling advanced Alzheimer’s disease. A poignant moment arises during a family gathering when a news report about the National Truth Commission discussing Rubens’ case triggers a fleeting recollection in Eunice, emphasizing the enduring impact of past traumas.
Main Characters
- Eunice Paiva (Fernanda Torres): A resilient mother and activist, Eunice embodies strength and determination as she confronts the disappearance of her husband and the subsequent challenges posed by the authoritarian regime.
- Rubens Paiva (Selton Mello): A dissident politician whose arrest and disappearance become central to the narrative, highlighting the brutal tactics employed during the dictatorship.
- Elderly Eunice Paiva (Fernanda Montenegro): The aged version of Eunice, portrayed by Torres’ real-life mother, adding depth and authenticity to the character’s portrayal.
Themes and Tone
I’m Still Here delves into themes of resilience, memory, and the personal costs of political oppression. The film portrays the indomitable spirit of individuals and families confronting authoritarianism, emphasizing the importance of remembrance and justice. The tone is somber yet hopeful, reflecting the enduring human spirit amidst adversity.
Visual Style and Direction
Walter Salles employs a classical narrative style, focusing on character-driven storytelling. The cinematography captures the contrasting landscapes of Brazil, from the serene beaches of Rio de Janeiro to the oppressive environments of interrogation rooms. The film’s pacing allows for an immersive experience, enabling viewers to connect deeply with the characters’ emotional journeys.
Performances
Fernanda Torres delivers a tour-de-force performance as Eunice Paiva, capturing the character’s vulnerability and strength with nuanced subtlety. Her portrayal has been lauded internationally, with critics highlighting it as one of the year’s standout performances. Fernanda Montenegro’s cameo as the elderly Eunice adds a poignant layer to the narrative, symbolizing the passage of time and the lingering effects of past traumas. Selton Mello’s depiction of Rubens Paiva provides a compelling portrayal of a man caught in the tumultuous currents of political upheaval.
Reception
Upon its release, I’m Still Here received critical acclaim both domestically and internationally. The film’s premiere at the 81st Venice International Film Festival was met with standing ovations, earning the Best Screenplay award. Critics praised the film’s emotional depth, authentic portrayal of historical events, and the stellar performances of the cast.
The film’s domestic release in Brazil saw it topping the box office, attracting over 5 million admissions and grossing $28.7 million, making it the highest-grossing Brazilian film since the COVID-19 pandemic. Its success is particularly noteworthy given the attempted boycott by far-right factions in Brazil, underscoring the film’s cultural and political significance.
Accolades
I’m Still Here has been recognized in various prestigious award platforms:
- Golden Globe Awards: Fernanda Torres won Best Actress in a Motion Picture – Drama, marking a historic moment as the first Brazilian actress to receive this honor. The film was also nominated for Best Foreign Language Film.
- BAFTA Awards: Nominated for Best Film Not in the English Language.
- Academy Awards: Made history by becoming the first Brazilian-produced film nominated for Best Picture at the 97th Academy Awards. It also secured nominations for Best International Feature Film and Best Actress for Torres.
Conclusion
I’m Still Here stands as a testament to the resilience of the human spirit in the face of systemic oppression. Through its compelling narrative, masterful direction, and outstanding performances, the film not only sheds light on a dark chapter of Brazilian history but also resonates universally with themes of love, loss, and the enduring quest for justice. It is a cinematic experience that lingers long after the credits roll, prompting reflection on the importance of memory and the enduring fight against tyranny.
